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Kibler & Kirch
Kibler & Kirch is both a talented interior design firm and an extraordinary shopping experience. Our mission is simple: enrich our customers’ lives through their homes with quality products and unexpected service. Our experienced interior design staff and dedicated retail team work together seamlessly to create interior environments that closely match the needs and desires of clients. We stock an eclectic collection of American-made furnishings, artwork, accessories, handmade rugs, lighting, bedding, and gifts. We specialize in comfortable and timeless designs across a spectrum of styles–rustic, traditional, and modern. We will inspire you to create a fuller, better sense of home.
With deeper resources than any interior design firm in Montana, we have the knowledge (and products) to serve the most discerning clients. Please call us for a complimentary consultation. Here’s what we do for you:
In a two part series of short films intended to be both beautiful and informative, filmmaker Brian Murnion captures a behind the scenes look at Kibler & Kirch.
The Design Studio goes inside our stunning design studio and gives a peek into their refined process. Timeless luxury and creativity–an inspiring space for clients and designers alike.
In Part 2, The Home, watch as a young family’s house gets remodeled & transformed into something beautiful. Color, comfort, and inspiration.
Lovingly printed and packed with expertly curated products, in-depth features on things in our store, interior design advice, and projects to inspire you, you’ll look to forward to every copy! Sign up here to receive one by mail or click on past covers below for an archive of great design inspiration!
Since 1990, we’ve made it our mission to enrich our customers’ lives though quality, Made-in-America furniture. Today, over 80% of the furniture we sell has been crafted with pride in the United States–something our competitors simply cannot match.
We are proud to represent these fine companies. If you see something you like, please call or email us at info@kiblerandkirch.com for a prompt response.
The Petroleum Club is iconic. Overlooking Billings, the Petroleum Club wanted a new look that took advantage of its sweeping urban and mountain views. As general contractors we literally knocked the walls down and built anew. With black Michelangelo marble, white walls and brass finishes, the club is a perfect place to enjoy a sunset and an afterwork cocktail. Comfortable yet professional, check out the cozy library or have a seat in the dining area and try a delicious dish from the menu by Jeremy Engebretson from Lilac.
As general contractors we literally knocked the walls down and built anew. With black Michelangelo marble, white walls and brass finishes, the Club is a perfect place to enjoy a sunset and an afternoon cocktail. Comfortable yet professional, check out the cozy library, have a seat in the dining area, and try a delicious dish from the menu by Jeremy Engebretson of Lilac fame. The following are before and afters of the space we flipped from drab to class, the entry, library, dinning room furnishings and halls have all been brought back to life.
This beautiful transformation has its own chapter in a best selling book titled “Cabin Style”, and has been given a coveted spot in Mountain Living.
When it came time to build a new home, our clients wanted to create a clean, timeless look that felt both modern and cozy. Treasured items like hides from family safaris, paired perfectly with textured neutrals and soft fabrics, give the house a warm and welcoming atmosphere. Working very closely with the homeowners and our friends at A&E Architects, our collaboration took this project to the highest possible level of detail and quality.
We took a small space and filled it with a grand dose of style. Antique mercantile goes to the next level with white barnwood and pendant lights. A touch of softness in design makes visiting Joy of Living a stress free place to pop in for a last minute gift of pick me up.
Photographer Rudi Marten asked us to design his downtown loft using natural elements like hide and leather–joining them with textured treats such as navajo rugs, velvet seating, classic modern pieces, and dramatic black and white paint. A perfect masculine mix!
To read the full article please click here.
We are honored to say that our wonderful Billings Design Studio was recently photographed by Audrey Hall and published in The Big Sky Journal’s Home Issue. We hope to share it with you. Please feel free to stop by for a quick tour and see how we can service your design needs.
We had the pleasure of working on this home near Roscoe, MT. Recently featured in Western Art & Architecture, this look is a fresh twist on the Western Ranch House.
Textured blue chair-backs are a welcome surprise.
This photo of Grand Prismatic Springs by Chris Boyer adds an interesting color dimension.
A masculine plaid pairs well with neutral and salmon throw pillows.
Leather wing-backs circled for conversation.
PHOTOS BY RENATA HAIDLE
This slice of a larger remodel pays tribute to the home’s 30-year history while hitting refresh. Timeless neutrals and plaids pop with the right dose of color. Check out our short film to see more on this revamp.
Continuing the legacy of their parents at Jade Palace, Kalvin and Ken Tang recently opened JP Kitchen—a distinct, modern take on Chinese food. We used a high dose of black with red accents to create a mellow space for sharing a few dishes with family and friends. Come check out their mom’s famous potstickers, bacon fried rice or the classic orange zest chicken—using only the finest ingredients.
Check out these pictures recently published in the Big Sky Journal HOME. It was our great fortune to design the interior of this lovely and dramatic mountain home. Both comfortable and modern, open to spectacular views and yet cozy. This is a case study in creating a warm place for family and art. Please click on the images to see a higher resolution gallery.
We were lucky enough to work on the Triple B Ranch, which was featured in Big Sky Journal HOME. Distinctly Western and full of design details our team helped execute to the highest standard, we are very proud to share this mountain home. Dramatically situated near Red Lodge, MT and sure to age gracefully, we hope this project inspires you to let us help create your dream residence–regardless of the size or budget.
Our design studio works on a variety of projects both commercial and residential; we relish the opportunity to create something beautiful at every turn. Recently we were asked to re-conceive the furnishings in a local mall owned by Starwood. We combined some our favorite companies’ work into a coffee table in the shape of Montana. The bottom is a tapered, lightweight concrete form made by our long-time favorite Zachary A Designs of Chicago; while the top is a thick slab of wood crafted by our friends at the Old Wood Company in Asheville, NC. We even inset a buffalo nickel to designate the location of the Rimrock Mall project. It’s a study in contrast and a marriage of materials both unexpected and durable.
Using the history of the Stapleton for context, we designed the Big Dipper to radiate fun while keeping with the spirit of the building. Elements from the original Big Dipper in Missoula made their way into the decor as well, from the neon “Oh Boy!” sign to the glossy photo of patrons waiting in line under the stars. We couldn’t be more excited to share the Stapleton with such a tasty local business.
PHOTOGRAPHY BY LYNN DONALDSON
We’re called on for all manner of interior design work. These snapshots are from the home of a dear friend and client who needed help downsizing. She moved from a large home filled with a collection of original art, navajo rugs, and great furniture (purchased through the years in our retail store, of course!). The challenge was to make all the things she loved fit into a new construction shell–and to give it that all important sense of soul. It’s not everyday that we get the chance to play house with such a great Western objects, so we relished the opportunity. Our team spent a day arranging furniture, hanging amazing art, layering and making a truly comfortable home that, by virtue of the things she kept, transformed into a comfortable home worth sharing with everyone!
Our designers worked hand-in-hand with the homeowners and architect Jeff Robertson to create this masterpiece of Prairie Architecture–meeting weekly for a year, working seamlessly and contributing to even the smallest decisions: door handles, stains, material specifications, fabrics, colors. Everything belongs together. The furnishings perfectly compliment the architecture and we are so happy to have the chance to make this warm, luxurious, and subtle home a reality. Check out the images recently published in the Big Sky Journal.
PHOTOS COURTESY OF ROGER WADE
We start almost every project the same way: hand sketches in black ink that allow us to quickly communicate concepts to our clients. Only after we’ve worked through a handful of concepts and sifted through the most powerful ideas do we turn to digital renderings and floor plans. The computer can’t keep up with a flurry of ideas like the drawing hand can. Here’s a perfect example of how some sketches became reality. In this case, it’s an event venue in rural Montana that we hope stands for generations.
What was surprisingly hard about starting Kibler & Kirch?
R: We felt like we had a tiger by the tail from day one.
E: We learned everything the hard way. It would have been nice to have more business knowledge. We learned a lot along the way, but it would have been nice to know all of those things upfront. We were coming from our heart, our dreams and our passion. The business side we had to learn real quick.
R: We didn’t start out, particularly, as business women. The hardest part of starting a business: Being under capitalized, never having enough money. We were growing really fast and didn’t have the money to keep up. We grew faster than we could afford to.
What is like to run a business as such good friends?
R: A partnership is like a marriage and anyone who thinks it’s not is crazy. We all were friends when we became partners. Being partners can really test a friendship; you have to communicate. I honestly would say we worked harder at our partnerships than we did our marriages.
Did you think Kibler & Kirch would still be here today, when you opened the doors 25 years ago?
E: We didn’t know we were going to live this long [laughs]. We wanted Kibler & Kirch to move on without us. We didn’t know how that was going to happen, we knew our children didn’t want to work there for the rest of their lives.
R: Which is why Jeremiah coming in at the perfect time is just such an amazing story.
E: When that happened, we went to market with Jeremiah and the economy was so low, furniture stores were closing; no one was buying furniture that market. And there we were. The old furniture guys thought we were crazy. We told them we had sold the business and they were like, “And you didn’t go buy a lottery ticket that same day?!” But we had already won!
R: It still takes my breath away how that all worked out. We were retiring, in the stores final days and in walks Jeremiah. Right after he found out the news, he ran into his father-in-law on the street and said, “Kibler & Kirch is going to close and we can’t let that happen.” It’s pretty much a miracle. What a blessing it was to be able to keep it going.
25 Years is a long time to be tastemakers. How did you buy the right things for the store?
R: We tried to buy things that were timeless, had soul, had a story or that just felt more hand-made—done with more thought than something that just came off a conveyer belt. Which is why Jeremiah is such a good fit. We were always looking for something no one else had, trying to figure out what the next big thing was. We sought out start ups, and temporary vendors at market. A lot of our vendors that we use today started when we did. We believed in them, saw what they were doing, encouraged them and grew with them, supported them.
If there is a Kibler & Kirch look, what is it?
E: Everyone has always asked that … I don’t know.
R: In terms of design we design for the client. I don’t want people to walk in and know that we did it. In terms of buying for retailing, it’s about timeless pieces, a bit more masculine, things that look collected, that you’ve traveled the world and are interested in all kinds of things, that you are well-rounded. We would throw in a Chinese piece or something from India, give off a collector vibe. Things that are hand-made by real people.
E: When you see the hand work that goes into furniture it is unbelievable. If people saw what it takes to make a quality piece of furniture they would not have qualms paying good money for it. It’s a bargain really.
R: We were told over and over again, “This store could be anywhere in the world.” Such a compliment.
You were always a huge fan of Kibler & Kirch. Tell us about your first visit.
I discovered Kibler & Kirch during high school. I’d just moved to Montana and visited Red Lodge. I walked into the store and just knew that the person who had made that store, bought those things, put everything together—that we were of the same heart. I just “got it” in my bones. I felt immediately at home, and this was a long time before I met Rosina. We are design soulmates in a way. We don’t even have to talk, we sort of know the same things, and are always drawn to the same things.
During our interview with the founders, Rosina said you were a “perfect fit” for Kibler & Kirch. Why do you think that is?
There is an amazing continuity that happens between our designs, tastes, and ideas. It’s almost like there was no change of leadership. It’s very much an even keel. I can’t imagine many other ownership transitions that would be so seamless. That took real patience, though. It took effort not to reinvent things that didn’t need to be reinvented, especially before I knew why things were done the way they were done. It’s important to respect and truly learn what has been done before going in and messing it all up. I have big shoulders to stand on.
How did you come to be Creative Director at Kibler & Kirch? Erica and Rosina mentioned it was quite a crazy story.
I came in with my wife, Catherine, during the retirement sale. We were expecting our first baby and there was a rocking chair that we wanted for our nursery, but in a custom fabric. I asked a woman dusting shelves if we could do a custom order and she explained that they were retiring and thus couldn’t take special orders. This woman turned out to be Rosina, who is NEVER in the store, always in the design studio. So, that was wild enough. I said to her, “Doesn’t someone want to buy this place?” Rosina said, “Well, if you know someone have them come talk to me.” I left the store just so sad that Kibler & Kirch was going to close, this great institution, a place of great quality over and beyond any other place in this part of the world. The thought that it was going away made me sick to my stomach. So, we walk out of the store down Broadway where we see Catherine’s dad, Richard, which is like lightening striking because we are never in the same place. I tell him that Kibler & Kirch was closing and say something to the effect of, “We can’t let his happen; I know what to do with it!” And that was–even though the economy was poor–to invest in expertise and design capacity, weather the recession, and be there more ready than ever when people start building or remodelling again. He provided the financial wherewithal to make those investments. I work hard but he gets so much of the credit for saving Kibler & Kirch.
That time has come! You just opened up a new design studio in Billings. What does that mean for Kibler & Kirch?
We have grown so much in the past years, our design side is expanding and we’ve been asked to do a lot more commercial projects. I started sketching plans for the Billings Design Studio nearly three years ago and oversaw every minute of the project; it’s my design baby. It took two years of construction, but it’s truly world class and gives us an opportunity to service more people and different types of projects. I hope people love it!
Are you ready to carry the Kibler & Kirch torch for the next 25 years?
I’m not even thinking about 25 years; I’m thinking about 100 years. I want to build something that transcends, a kind of houses of design in the spirit of the great fashion houses of Europe–Chanel, Hermes–but in the interiors world, of course.
Something you can hand down to your two adorable girls someday?
That’s my highest hope, that I might build something that my girls would want to be fabulous at and take over. I’m not sure that I will ever have that; but a dad can dream can’t he?
Jeremiah Young, Creative Director / Senior Designer
How did you join the Kibler & Kirch design family?
I feel like I was always a part of Kibler & Kirch–from the moment I walked though the doors when I was in high school. Fate brought me the opportunity to run this amazing company many years later. I have big shoulders to stand on and many amazing people at my side. If I said “I’m living the dream,” would it be cliché?
If you were a piece of furniture what would you be?
A wingback chair in a proper menswear fabric. I’d be timeless and outlast the other things in your home.
What do you own that you would never get rid of?
A folding wooden ruler that was passed down from my great grandfather to my grandfather–and then to me. It’s worn smooth and inspires me to do work they’d be proud of. It always makes me think hard about quality.
What is your favorite decor style?
I like a subtly Western experience. It has to look gathered and collected, though. There are so many beautiful furniture pieces in the world that it’s impossible to stick to one style. I find ways to put things together you wouldn’t expect.
Kimberly Wynia, Project Manager
How did you join the Kibler & Kirch design family?
Growing up, my mother loved houses. I spent many Sunday afternoons going with her to open houses, looking at floor plans, and analyzing natural light and overall design. I grew to love being able to take a house and turn it into a beautiful home. I have also grown to love picking up a tool and helping a vision come to life as my DIY skills have increased. I come from a background in HR and Business Management but I wanted a job that would let me stimulate my creativity sufficiently to keep me happy and interested in my job for long term. I knew that what I really wanted was a job that would let me use my creativity, organizational skills, and people skills all in one. When I saw the job posting for a design coordinator at Kibler & Kirch I knew that it was the perfect fit. I am surrounded by amazing people with incredible skill and I love that I get to be a part of creating beautiful spaces.
If you were a piece of furniture what would you be?
I would most definitely be a lamp/light. Nothing is better than good lighting. I love it when people let their personalities shine and I strive to do that every day. Lamps also come in an endless variety just like people. You have to LOVE a good lamp or light fixture! They are like the icing on the cake!
What do you own that you would never get rid of?
Scrapbooks! There was a time when scrapbooking was my creative outlet. All of the way back to my high school years I kept a scrapbook to remember homecomings, proms, and general teenage shenanigans. As the years went on my husband and I grew our family to include four children. Much of their early years are chronicled in handmade scrapbooks that I spent endless hours on. Not only do I love looking back at them but so do my children.
What is your favorite design style?
I have to say that I am probably somewhere between eclectic and transitional. As someone with a large family I feel that things need to function first but that beauty comes in a very close second. I gravitate towards spaces that have great architecture, lots of light, and that are welcoming and warm.
Aubrey Soares, Interior Designer
How did you join the Kibler & Kirch design family?
I recently graduated from the Interior Design Program in Bozeman, Montana, and looked for the perfect job that would set my design career in motion when I ran across Kibler & Kirch. I researched the company and fell in love with the way they make architecturally stunning spaces feel comfortably lived in.
If you were a piece of furniture what would you be?
A coffee table. When my family gets together, we usually end up in the living room. Many wonderful conversations have happened around my parent’s coffee table. I love being surrounded by all my loved ones.
What do you own that you would never get rid of?
My great grandfather’s sofa. My parents had it in their bedroom ever since I can remember – and my siblings and I would sleep on it when we were sick. I just inherited it and can’t wait to have it refurbished for my house! I hope it will become a statement piece that is flexible enough to carry from house to house.
What is your favorite design style?
I love using multiple different styles. No two spaces are ever the same! I feel that you get a sense of which styles your client connects with most. Combining different styles for each client is what makes the job so interesting.
The king of sofas, a chesterfield is known for it’s deep tufting and low-slung height. It has the kind of plush comfort you sit in rather than on–providing the sophisticated seating every homeowner yearns for. We love the weight and drama it adds to any room. Despite it’s 18th century roots, the chesterfield adapts to many different interior styles, staying timeless in a variety of colors, fabrics and of course, supple leathers. 
1. DEEP TUFTS
A sign of true refinement. The deeper the better. More difficult to construct than shallow tufting, these demonstrate true craftsmanship.
2. NAILHEADS
Emphasizing the overall shape, adding visual strength, and holding the whole thing together.
3. LOW ARMS & BACK
Equally stunning from all angles, but also perfect in social situations as an impromptu extra seat.
4. GENEROUS DEPTH
Nothing quite matches this cozy depth, which encourages true relaxation or, dare we suggest, napping.
5. ROLLED ARMS
Large and comfortable but never out of scale. Always tufted but never too high for your arm to rest easily with a beverage.
Originally used in churches, missions and cathedrals, Santa Rosa candles are still lovingly produced in Mexico and handmade by bathing layer after layer of high grade paraffin—a centuries-old method. This time consuming process creates rings akin to the rings of a tree, which are seen on bottom of the candle.
We’ve proudly carried these candles for over 15 years.
The factory employs mostly disabled workers and Charlie, an American who inherited the company from his mother, recently gave a TED talk on his own disability. “Everyone has a disability, some are more obvious than others,” he said in his speech. He was born with severe birth defects and inspires us with his can-do attitude. His work and his company amaze us. We couldn’t be happier to carry a perfect product from such a soulful company.
1. NATURAL AMBER COLOR
The warm rich color is achieved by adding melted amber into the wax–a golden glow that looks beautiful when lit.
2. SCENTLESS
An odorless candle is essential when showcasing candles of this quality and work perfectly in large doses. We suggest a table set with a variety of sizes as shown above, which is only possible without scenting.
3. LONG LASTING
Great candles like these will last for years to come–with sizes ranging from two inches to nearly two feet
4. A GOOD WICK
Quality wicks make for clean burning. Trimming your wick to ⅛” before each burn stretches the candle’s life much further.
5. THE SANTA ROSA STAMP
Each candle comes with a golden “Santa Rosa” elegantly embossed onto the side. A symbol to trust.
We used over 50 Santa Rosa candles in our award-winning dining room at the Western Design Conference.
Using centuries-old techniques, the Zapotec weavers of Oaxaca Valley handcraft these beautiful rugs. Each new design starts at the color pot, developing and testing dyes, creating the perfect hue combinations. Local hand-spun yarns are then dyed over weeks before being handed over to master weavers at the loom.
TIMELESS A classic in Western design, these rugs stand the test of time. Rich colors and bold patterns translate into a variety of styles from traditional to contemporary, from shabby chic to structured.
INCREDIBLY DURABLE Zapotec textiles can be woven of 100% wool or in mohair/wool blend. Both are incredibly strong fivers. Combined with expert weaving, Escalante provides long lasting, heirloom quality rugs that will be passed down for generations.
CUSTOMIZABLE Need a bigger rug or have a certain color scheme in mind? Escalante provides a custom option, working with our designers to create the perfect piece. It’s possible to add a ranch brand or logo to an existing rug or start from scratch.
VERSATILE Equally great on the wall as art as they are on the floor for utility—layered and lovely. We hung Navajo rugs on the wall of our design studio, giving us a cozy look along with a dose of creative inspiration.
Timeless, delicate, and yet very robust design from Hickory Chair. Years of hard use will patina this chair beautifully. You will love it more as the years pass. The Gunnison Chair sits comfortably in rooms across a spectrum of styles–from modern to traditional to rustic. Chameleon-like and a true expression of style we are proud to place in any home or office.
1. Angular metal frame with exposed leather stitching inspired by French designer Jean-Michel Frank (1895-1941). Sumptuous, yet minimalist.
2. In addition, Natural variations in leather give each chair a one-of-a-kind appeal.
3. Unfinished leather exposed on back and side for subtle contrast.
4. Rolled leather arms and slung back prove exceptionally comfortable over long sits.
5. The Gunnison chair is equally stunning as an accent, living room, bedroom, or (our favorite!) as a dining table chair.
Our first upholstery company is also our most Earth friendly.
Over the last 20+ years, we’ve sold thousands of Lee Industries sofas, chairs, ottomans, and beds. We have re-upholstered many of them for clients two or three times. As the very first upholstery company we ever used, Lee always contributed heavily to the Kibler & Kirch look. The infinite range of possibilities available through their selection of frames, fabrics, leather, welts, nail heads, stitching, sizes, and cushion options allow us to do our very best work creating interiors that reflect the personality of our customers. We love selling Lee products because we know they will faithfully serve the needs of generations. We’ve always thought that the most environmentally sound choice is to begin with an eye for quality and to invest in furniture that will provide product longevity to our customers–something that Lee helps us achieve every day.
As such, each one-of-a-kind Lee piece is handcrafted in Newton, NC by a team of craftsmen that are experts in their field and take pride in their workmanship. Add this to top quality, uncompromised materials and you have products that go beyond a piece of furniture to become pieces of art able to handle slumber parties and afternoon naps. They combine the style and quality that we take seriously. All Lee sofas and chairs are made with double-doweled frames that are corner blocked from kiln-dried hardwoods. All seats are constructed with 8-way hand tied springs and frames are padded for extra comfort. They are, without question, the most well-constructed products available for the price.As a third generation company, the youngest members of the Lee family are committed to making environmentally responsible choices at every level of production. Sustainability initiatives for Lee began in 1969–decades before it became the status quo. Today, sustainability for the company means certified sustainable frames, soy-based cushions, recycled metals and fibers, low VOC and water-based finishes, and a partnership with American Forests, planting trees for their Global Relief Projects. This helps reduce the amount of Co2 in the air while their FSC (Forest Stewardship Council) and SFI (Sustainability Forestry Initiative) certifications allow Lee to manage the chain of custody for hardwoods used to build furniture frames. Add these responsible practices to paper-less communications, judicious internal recycling and energy conservation and you see why Lee is a leader among manufacturers, retailers, and consumers.
An American Manufacturing Renaissance
We recently accepted an invitation to attend Hickory Chair University–in the small town of Hickory, North Carolina–for an intensive and inspiring peek into a 101 year old company charting the way forward for American manufacturing.
Hickory Chair invited our design staff to their facility completely confident that we’d never seen anything like it. This isn’t an assembly line in a faraway country with tired-looking faces turning out thousands of the same sofa, this is a team of 500 people whose passion and ingenuity we count on to create heirlooms for our customers and clients. This is a workroom of skill, attention to detail, and craft learned through many years of refinement and practice. This is a place where creativity is turned into tomorrow’s antiques. The pictures you see here are from our time at Hickory Chair University.
The company’s slogan in the early 1900s was “Chairs Made Better Than Seems Necessary,” which could easily be their motto today. As both an upholstery and a wood products company, they make any kind of furniture our designers can dream up: tables, dressers, beds, desks, sofas, and of course spectacular, iconic chairs. We are completely confident in their ability to deliver what they promise: the best furniture in your home. We are also completely confident that every Hickory Chair item is a testament to how an American business can embrace innovation and still adhere to the traditional principles that made it great in the first place. Hickory Chair employees have probably forgotten more about making furniture than most companies will ever learn. That’s why old companies are cultural treasures that deserve our support.
Several years ago they switched to a lean manufacturing concept made famous by Toyota—where employees are charged with suggesting and implementing refinements in the way things are done. Hickory Chair calls this EDGE (Employees Dedicated to Growth and Excellence). They don’t have a traditional factory anymore; they have a “workroom” that’s completely focused on continuous improvement in the art of fine furniture. Company president Jay Reardon and his team took three days from their busy schedule to educate us on how all great furniture is “crafted” not “manufactured” in this way. We witnessed first hand the focus and collaboration that workers put into each piece. We also witnessed excitement in their eyes as they worked on pieces in the line that a customer had customized in some unexpected way–a challenge they rise to every day.
This may seem simple, but furniture companies just don’t operate this way; they have set methods for doing things and don’t deviate. Hickory Chair makes certain that employees’ minds are used as much as their bodies to produce furniture that is still “better than necessary.” Because their craftspeople completely understand the ins and outs of the production, they are uniquely able to understand how to execute a design modification our designers suggest to them. They approach each piece as a new work of art and are thrilled to make it a reality.
We came away from our stay in Hickory impressed with the culture of continuous improvement that pervades the staff-improving outcomes in tiny ways while keeping cost down. Hickory Chair hasn’t raised prices in over 5 years because of the savings they’ve found through elimination of waste, recycling, reduced energy and labor, better safety, etc. The company’s products are not inexpensive, but they become a better value and better quality every day. That’s the way forward for American companies. Kibler & Kirch shares that core philosophy with Hickory Chair: to engage our customers with the highest quality for the money, the most creativity and attention to detail possible, and the hope that our customers will understand the value of American made goods.”
Text and Photos by Jeremiah Young
Generations of Style and Craft
Great rooms begin with great rugs. As a foundation to build upon, we often take clients through a selection and education process about the virtues of authentic, handmade rugs in the beginning of design projects. Always preferring something made by humans rather than manufactured by machines, we layer textiles and furniture over a quality rug to give a sense of craft and permanence. As the lead pattern and source of color inspiration (rugs sometimes have 10, 12, or 15 colors), we work closely with clients to choose rugs they respond to emotionally. We won’t let you buy it unless you completely love it. Some say that the “soul” of any room is in the rug. We agree and want your rug to speak to your soul.
Handmade rugs are a naturally “green” product in the sense that they are not full of petroleum-based substances as found in machine-made carpet. They don’t expel toxic gases and are made from renewable, recyclable wool and cotton Most rugs mix vegetable and synthetic dyes depending on the kind of color saturation required. With minimal maintenance, rugs will provide generations of use while gaining character and beauty through the years. They are the single best way to alter the tone of a room. After all, when one enters a space our eyes usually look at the floor covering first and then work up to furnishings and walls.
Our rugs are unique–taking months or even years to construct–and we take great pride in knowing that these rugs are produced in Afghanistan, Pakistan, and India by workers skilled in an art form that goes back many hundreds of years. Our buyer travels to the Middle East regularly to employ widows with families in the rug making-trade. Knowing the conditions and the supply chain of our merchandise is important to many of our customers. We are comfortable saying that these rugs are not made with child labor in any ethically compromised manner.
Kibler & Kirch is the only place to purchase these kinds of rugs in our area. We would be happy to show you our selection, guide you through the process, and let you try a rug in your home for a day or two. We have styles to suit every taste and work in any interior. We have florals, geometrics, and contemporary pieces. Rugs are essential in our climate and an investment in your home that you’ll be glad you made.
This handsome stunner is one of our all-time favorite chairs. Easily customizable, we can create a look that fits any home. Classic Leather’s attention to detail and quality design mean this chair will last a lifetime. Made right here in the USA.
Customizable and luxurious in any fabric or shade, Daniel Stuart produces top-of-the-line textiles. In rich colors and unique textures, every detail is thought through. With bedding as fine as this, it’s easy to transform the place you lay your head into a cozy retreat.
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